Showing posts with label death. Show all posts
Showing posts with label death. Show all posts

Tuesday, December 4, 2012

Richard III and Scar

If Richard III was an animated film character, he would be Scar.

Now, I don't know what the real Richard III was like. Here, I'm just talking about Richard III from Shakespeare's play by the same name.

Scar is a character in the Disney animated feature, The Lion King.

List of similarities:
1. Want the throne.
2. Want the death of their nephews and arrange for their deaths to take place. Richard succeeds; Scar fails.
3. Crafty, silver tongued. Scar weaves a web of lies around Simba. Richard III convinces a woman who whose husband's death he caused to marry him. And that is just one specific example for each...
4. Richard III was a hunchback and walked with a limp. Scar is a runt, he's scrawny and can't even grow a full mane while his brother the king is large, strong, beautiful, and brawny. Scar says, "Well as far as brains go, I've got the lion's share, but when it comes to brute strength, I'm afraid I'm at the shallow end of the gene pool."
5. Both are defeated in the end after a battle.

Simba and Uncle Scar

Wednesday, October 10, 2012

Horses Weeping For Their Masters

In three stories, two ancient and one not so much, the horses were aware that their masters were soon to meet their ends.

In Shakespeare's Play, Julius Caesar, The horses belonging to Caesar wept because they knew his death was drawing nigh.  This was a sign, along with many others that foretold Caesar's death in the Senate.

Achilles' horse Xanthus, foretold Achilles' death.  Xanthus was not a normal horse, he was an immortal horse and he spoke aloud.

The Gray of Macha
Cu Chulainn's horse, the Gray of Macha, knew his master would die if he rode out to battle that day and refused to be hitched to the chariot until Cu Chulainn came and spoke to him. The Gray submitted in tears of blood:  "Cu Chulainn went to him. And thrice did the horse turn his left side to his master....Then Cu Chulainn reproached his horse, saying that he was not wont to deal thus with his master.
Thereat the Gray of Macha came and let his big round tears of blood fall on Cu Chulainn's feet. And then Cu Chulainn leaped into the chariot, and drove it suddenly southwards along the Road of Midluachar."  (An Anthology of Irish Literature, vol. I, by David Greene)
In this case, I'm not sure if the Gray was foretelling the future, he may have just been aware of the circumstances.  Other events foretold the death of Cu Chulainn, and the Gray could have been privy to some of them.

But why horses? I have several ideas, which are merely speculations:
Perhaps because they are man's "second" best friend.  Like dogs, horses are man's companion more so than most other creatures. People bond with their dogs and horses, and this bond is celebrated in many stories.
Mythology about Cu Chulainn, and Greek mythology are steeped in omens and prophecies, so why not have the horses involved?  
Additionally, animals have a keen sense of the approach of danger. Their senses are much keener then ours. A dog knows when someone is approaching before a person does. They also can supposedly sense when someone is good or bad. People can sometimes tell too.  Nothing really has to happen, but certain people make us uncomfortable: it's either women's intuition (if you're a gal) or else a fine reading of body language, tone, and the eyes.  There are also stories from WWII were the fighter pilots knew who wasn't coming back just before a flight. If people and animals have such keen senses, then why not exaggerate in a story and make the horses cry or talk? Mayhap these legends were born from an exaggeration of the amazing abilities of animals coupled with the horse's tendency to freak at things they perceive as threats.

Saturday, April 2, 2011

Aiding the Inevitable


"One often meets his destiny on the road he takes to avoid it" said Ooguay in the film Kung Fu Panda. This theme has been around for quite some time and I find it interesting that it is reiterated in this light-hearted movie.  After Ooguay has a vision that Tai Lung (an imprisoned enemy with vengeance on his mind) will return, his friend Shifu quickly sends a messenger duck to double the guards and enact extra precautions.  It is then Ooguay says his line, which turns out to be true in this story.  For, with a feather from the duck, Tai Lung picks the lock on his prison and escapes.  Thus, by trying to stop the inevitable, the inevitable happened.  Or was it inevitable?  The story begs the question, “If the duck had not gone to double the guard and lost a feather, would Tai Lung have escaped?”  These types of stories play with your mind. I often wonder, would it have happened if they had tried not to stop it, or would it have just happened another way?    Ooguay’s wise words nicely summarize the events of other stories I’ve read. In an ancient Irish tale, a man is told that the marriage of his daughter would bring about bloodshed in his household.  So he decides he will never let her marry.  However an Irish warrior falls in love with her and asks for her hand.  After her father’s refusal to give her to him in marriage, the warrior kidnaps her by force with the help of his warriors.  They had to fight the household retainers and left behind several rooms full of bloody corpses in order to make good their escape.  Thus the prophesy came true.  Just as in Kung Fu Panda, the story is ironic.  The reader puzzles over the thought that if the father had just let the man marry his daughter, then none of those people would have died.  Yet, maybe it would have just happened another way, if the father had said yes, then perhaps another suitor would have appeared at her wedding and started a fight then.  Anyhow, this is definitely a theme.  The events in both of these stories evoke the same questions. Another similar tale is summarized as follows:  a man was told he would meet Death in a certain city; by a strange turn of events plus his attempts to avoid Death, the prophesy came true and he met Death in the location foretold just the prophesy specified.  Again, the prophesy the character tries to escape comes to pass despite (or through) the attempt to escape it.